Fodor's Expert Review Abramtsevo Estate
Until 1870 Abramtsevo belonged to Sergei Aksakov, a Slavophile who advocated the exportation of Orthodox Christianity to the West. A very religious man, Aksakov chose Abramtsevo as his residence because it was close to the Troitse-Sergieva Lavra. He opened his home to sympathetic writers and intellectuals of the 1840s.
After Aksakov's death, railway tycoon Savva Mamontov purchased the estate in 1870 and turned it into an artists' colony. Here Mamontov and a community of resident artists tried to revive traditional Russian arts, crafts, and architecture to stimulate interest in Russian culture and make arts more accessible to the people.
In the 1880s half a dozen resident artists participated in the construction of the prettiest structure on Abramtsevo's grounds, the diminutive Tserkov Ikony Spasa Nerukotvornovo (Church of the Icon of the Savior Not Made by Hands). The idea to build a church was born when a flood prevented the local community from attending the festive... READ MORE
Until 1870 Abramtsevo belonged to Sergei Aksakov, a Slavophile who advocated the exportation of Orthodox Christianity to the West. A very religious man, Aksakov chose Abramtsevo as his residence because it was close to the Troitse-Sergieva Lavra. He opened his home to sympathetic writers and intellectuals of the 1840s.
After Aksakov's death, railway tycoon Savva Mamontov purchased the estate in 1870 and turned it into an artists' colony. Here Mamontov and a community of resident artists tried to revive traditional Russian arts, crafts, and architecture to stimulate interest in Russian culture and make arts more accessible to the people.
In the 1880s half a dozen resident artists participated in the construction of the prettiest structure on Abramtsevo's grounds, the diminutive Tserkov Ikony Spasa Nerukotvornovo (Church of the Icon of the Savior Not Made by Hands). The idea to build a church was born when a flood prevented the local community from attending the festive Easter church service. The artist Polenov chose a 12th-century church outside Novgorod as a model. He and fellow artists Repin and Nesterov painted the gilt iconostasis; Vasnetsov laid the mosaic floor he'd designed in the shape of a giant blooming flower. Some of the resident artists created their finest works in Abramtsevo. Serov painted his Girl with Peaches, an 1870 portrait of Mamontov's daughter, Vera, which now decorates Mamontov's dining room. Vasnetsov worked on his 1898 Bogatyri (Russian epic heroes) in Abramtsevo as well. Other structures on Abramtsevo's grounds include the wooden Izbushka Na Kuryikh Nozhkakh (House on Chicken Legs), a rendering of the residence of the witch Baba-Yaga from Russian fairy tales; Polenov's dacha; and an artists' workshop. In 1889 the troubled artist Mikhail Vrubel joined the Abramtsevo colony to participate in the ceramics workshop, where his provocative grotesque designs are still evident in the tile stoves, ceramic inlay, and furniture. The estate has been a museum since 1918, when it was nationalized.
READ LESS
