Assumption Cathedral (Uspensky Sobor)

Assumption Cathedral (Uspensky Sobor) Review

The dominating structure of Cathedral Square is one of the oldest edifices of the Kremlin. Designed after the Uspensky Sobor of Vladimir, it was built in 1475-79 by the Italian architect Aristotle Fiorovanti, who had spent many years in Russia studying traditional Russian architecture. Topped by five gilded domes, the cathedral is both austere and solemn. The ceremonial entrance faces Cathedral Square; the visitor entrance is on the west side (to the left). After visiting the Archangel and Annunciation cathedrals, you may be struck by the spacious interior here, unusual for a medieval church. Light pours in through two rows of narrow windows. The cathedral contains rare ancient paintings, including the icon of the Virgin of Vladimir (the work of an 11th-century Byzantine artist), the 12th-century icon of St. George, and the 14th-century Trinity icon. The carved throne in the right-hand corner belonged to Ivan the Terrible, and the gilt wood throne to the far left was the seat of the tsarina. Between the two is the patriarch's throne. Until the 1917 revolution, Uspensky Sobor was Russia's principal church. This is where the crowning ceremonies of the tsars took place, a tradition that continued even after the capital was transferred to St. Petersburg. Patriarchs and metropolitans were enthroned and buried here. After the revolution the church was turned into a museum, but in 1989 religious services were resumed here on major church holidays.