The interior walls of this early-18th-century church resemble brocade drapery, and only touching them will convince skeptics that rather than embroidered cloth, the green-and-white walls are inlaid marble. This tromp l'oeil decor is typical of the late baroque's fascination with optical illusion. Towards the end of his life, Titian tended to paint scenes of suffering and sorrow in a nocturnal ambience. A dramatic example of this is on display above the first altar to the
left: Titian's daring Martyrdom of St. Lawrence (1578), taken from an earlier church that stood on this site.
Campo dei Gesuiti, Venice, 30131, Italy