Although this church contains some interesting and beautiful paintings and sculptures, it's the architecture that makes it worth the hike through a lively, middle-class, residential neighborhood. The Franciscan church was enlarged and rebuilt by Jacopo Sansovino in 1534, giving it the first Renaissance interior in Venice; its proportions are said to reflect the mystic significance of the numbers three and seven dictated by Renaissance neo-Platonic numerology. The soaring,
but harmonious façade was added in 1562 by Palladio. The church represents, therefore, a unique combination of the work of the two great stars of Veneto 16th-century architecture. As you enter, a late Giovanni Bellini Madonna with Saints is down some steps to the left, inside the Cappella Santa. In the Giustinian chapel to the left is Veronese's first work in Venice, an altarpiece depicting the Virgin and child with saints. In another, larger chapel, on the left, are bas-reliefs by Pietro and his son Tullio Lombardo.
Campo di San Francesco della Vigna, Venice, 30122, Italy