Behind the textbook 13th-century Pisan–Romanesque facade is proof that Volterra counted for something during the Renaissance, when many important Tuscan artists came to decorate the church. Three-dimensional stucco portraits of local saints are on the gold, red, and blue ceiling (1580) designed by Francesco Capriani, including Saint Linus, the successor to Saint Peter as pope and claimed by the Volterrans to have been born here. The highlight of the Duomo is the brightly painted 13th-century wooden life-size Deposition in the chapel of the same name. The unusual Cappella dell'Addolorata (Chapel of the Grieved) has two terra-cotta Nativity scenes; the depiction of the arrival of the Magi has a background fresco by Benozzo Gozzoli. The 16th-century pulpit in the middle of the nave is lined with fine 14th-century sculpted panels, attributed to a member of the Pisano family. Across from the Duomo in the center of the piazza is the Battistero, with stripes that match the Duomo. Evidently this baptistery got a lot of use, as the small marble baptismal font carved by Andrea Sansovino in 1502 was moved to the wall to the right of the entrance in the mid-18th century to make room for a much larger one.