Castel Nuovo Review
Known to locals as Maschio Angioino, in reference to its Angevin builders, this imposing castle is now used more for marital than military purposes—a portion of it serves as a government registry office. A white four-tiered triumphal entrance arch, ordered by Alfonso of Aragon after he entered the city in 1443 to seize power from the increasingly beleaguered Angevin Giovanna II, upstages the building's looming Angevin stonework. At the arch's top, as if justifying Alfonso's claim to the throne, the Archangel Gabriel slays a demon.
Across the courtyard within the castle is the Sala Grande, also known as the Sala dei Baroni, which has a stunning vaulted ceiling 92 feet high. In 1486 local barons hatched a plot against Alfonso's son, King Ferrante, who reacted by inviting them to this hall for a wedding banquet, which promptly turned into a mass arrest. (Ferrante is also said to have kept a crocodile in the castle as his pet executioner.) You can also visit the Sala dell'Armeria, where a glass floor reveals recent excavations of Roman baths from the Augustan period. To one side are giant photographs of three Roman ships, wood amazingly intact, unearthed during recent digging of the nearby metro station and now in Pisa for restoration. In the next room on the left, the Cappella Palatina, look on the frescoed walls for Nicolo di Tomaso's painting of Robert Anjou, one of the first realistic portraits ever. Of the famous Giotto pictures described by Petrarch remain only a few tiny fragments.
The castle's first floor holds a small gallery that includes a beautiful early Renaissance Adoration of the Magi by Marco Cardisco, with the roles of the three Magi played by the three Aragonese kings: Ferrante I, Ferrante II, and Charles V.
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