Fodor's Expert Review Piazza Tasso
This was the site of Porta Catello, the summit of the old walls that once surrounded the city. Today it remains a symbolic portal to the old town, overflowing with cafés, Liberty Style buildings, people who congregate here day and night, and horse-drawn carriages. In the center of it all is Torquato Tasso himself, standing atop a high base and rendered in marble by sculptor Giovanni Carli in 1870. The great poet was born in Sorrento in 1544 and died in Rome in 1595, just before he was to be crowned poet laureate. Tasso wrote during a period when Italy was still recovering from devastating Ottoman incursions along its coasts—Sorrento itself was sacked and pillaged in 1558. He is best known for his epic poem Jerusalem Delivered, which deals with the conquest of Jerusalem during the First Crusade. At the northern edge of the piazza, where it merges into Corso Italia, is the church of Maria del Carmine, with a Rococo wedding-cake facade of gleaming white-and-yellow stucco. Step... READ MORE
This was the site of Porta Catello, the summit of the old walls that once surrounded the city. Today it remains a symbolic portal to the old town, overflowing with cafés, Liberty Style buildings, people who congregate here day and night, and horse-drawn carriages. In the center of it all is Torquato Tasso himself, standing atop a high base and rendered in marble by sculptor Giovanni Carli in 1870. The great poet was born in Sorrento in 1544 and died in Rome in 1595, just before he was to be crowned poet laureate. Tasso wrote during a period when Italy was still recovering from devastating Ottoman incursions along its coasts—Sorrento itself was sacked and pillaged in 1558. He is best known for his epic poem Jerusalem Delivered, which deals with the conquest of Jerusalem during the First Crusade. At the northern edge of the piazza, where it merges into Corso Italia, is the church of Maria del Carmine, with a Rococo wedding-cake facade of gleaming white-and-yellow stucco. Step inside to note its wall of 18th-century tabernacles, all set, like a jeweler's display, in gilded cases, and the ceiling painting of the Virgin Mary.
READ LESS
