The exceptionally well-preserved Imperial Roman Villa is thought to have been a hunting lodge of the emperor Maximianus Heraclius (fourth century AD). The excavations were not begun until 1950, and the wall decorations and vaulting have been lost. However, some of the best mosaics of the Roman world cover more than 12,000 square feet under a shelter that hints at the layout of the original buildings. The mosaics were probably made by North African artisans; they are similar to those in the Tunis Bardo Museum. The entrance was through a triumphal arch that led into an atrium surrounded by a portico of columns, after which the thermae, or bathhouse, is reached. It's colorfully decorated with mosaic nymphs, a Neptune, and slaves massaging bathers. The peristyle leads to the main villa, where in the Salone del Circo you look down on mosaics illustrating Roman circus sports. Room 38 even reveals a touch of eroticism—surely only scratching the surface of the bacchanalian festivities that Maximianus conjured up. As this book went to press, renovations meant the villa was only open a few hours each day. They were scheduled to be complete in 2008, but call ahead to make sure.
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