One of Rome's most splendid 17th-century palaces, the Palazzo Barberini is a landmark of the Roman Baroque style. Pope Urban VIII had acquired the property and given it to a nephew, who was determined to build an edifice worthy of his generous uncle and the ever-more-powerful Barberini clan. The result was, architecturally, a precedent-shattering affair: a "villa suburbana" set right in the heart of the urban city and designed to be strikingly open to the outdoors. Note how Carlo Maderno's grand facade seems almost entirely composed of window tiers rising up in proto-20th-century fashion. Ascend Bernini's staircase to the Galleria Nazionale d'Arte Antica, hung with famed paintings including Raphael's La Fornarina,a luminous portrait of the artist's lover (a resident of Trastevere, she was reputedly a baker's daughter)—study the bracelet on her upper arm bearing Raphael's name. Also noteworthy are Guido Reni's portrait of the doomed Beatrice Cenci (beheaded in Rome for parricide in 1599)—Hawthorne called it "the saddest picture ever painted" in his Rome-based novel, The Marble Faun—and Caravaggio's Judith and Holofernes. But the showstopper here is the palace's Gran Salone, a vast ballroom with a 1630 ceiling painted by Pietro da Cortona. It depicts the Glorification of Urban VIII's Reign and has the spectacular conceit of glorifying Urban VIII as the agent of Divine Providence and escorted by a "bomber squadron" (to quote art historian Sir Michael Levey) of some huge, mutantlike Barberini bees, the heraldic symbol of the family. You may find the sound of humming disturbing but don't worry—it is only the fluorescent lights.
Tips
Part of the family of museums that includes the Galleria Borghese, Palazzo Spada, Palazzo Venezia, and Palazzo Corsini, the Palazzo Barberini has gone into marketing in a big way—visit the shop here for some distinctive gifts for Aunt Ethel back home, including tote bags bearing the beloved visage of Raphael's La Fornarina, bookmarks with Caravaggio's Judith slicing off Holofernes's head, and coffee mugs bearing the famous Barberini heraldic bees.
Look for the hidden treasure of the Palazzo Barberini palace in the palace's attic: the charming suite created in 1728 for the marriage of a Barberini heiress—the boudoir bedroom of Principessa Cornelia Costanza Barberini and her Colonna prince is nearly unchanged from the wedding night. The low-hanging rooms are festooned in silk hangings, Japanese porcelains, and an antique baby carriage.
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