The Cappella Brancacci, at the end of the right transept of this church, houses a masterpiece of Renaissance painting: a fresco cycle that changed the course of Western art. Fire almost destroyed the church in the 18th century; miraculously, the Brancacci Chapel survived almost intact. The cycle is the work of three artists: Masaccio and Masolino (1383–circa 1447), who began it around 1424, and Filippino Lippi, who finished it some 50 years later, after a long
interruption during which the sponsoring Brancacci family was exiled. It was Masaccio's work that opened a new frontier for painting, as he was among the first artists to employ single-point perspective; tragically, he died in 1428 at the age of 27, so he didn't live to experience the revolution his innovations caused.
Masaccio collaborated with Masolino on several of the frescoes, but his style predomintates in the Tribute Money, on the upper-left wall; St. Peter Baptizing, on the upper altar wall; the Distribution of Goods, on the lower altar wall; and the Expulsion of Adam and Eve, on the chapel's upper-left entrance pier. If you look closely at the last painting and compare it with some of the chapel's other works, you should see a pronounced difference. The figures of Adam and Eve possess a startling presence primarily thanks to the dramatic way in which their bodies seem to reflect light. Masaccio here shaded his figures consistently, so as to suggest a single, strong source of light within the world of the painting but outside its frame. In so doing, he succeeded in imitating with paint the real-world effect of light on mass, and he thereby imparted to his figures a sculptural reality unprecedented in his day.
These matters have to do with technique, but with the Expulsion of Adam and Eve his skill went beyond mere technical innovation. In the faces of Adam and Eve, you see more than finely modeled figures; you see terrible shame and suffering depicted with a humanity rarely achieved in art. Reservations to see the chapel are mandatory, but can be booked on the same day. Your time inside is limited to 15 minutes—a frustration that's only partly mitigated by a highly informative 40-minute DVD about the history of the chapel you can watch either before or after your visit.
Piazza del Carmine, Florence, 50100, Italy
Apr 4, 2006
I'm astonished no one has reviewed this location. By the time I saw these Masaccio paintings, I had been inundated with art. Yet Adam and Eve still come to my mind instantly. They were that profound. The vibrant colors were wonderful of the larger works. The brief discussion by the guide was very helpful, much better than many places. However, 15 minutes for the admission fee, especially during slow seasons, is ridiculously short. Given that we
are paying to enter a church, it does seem that there should be a bit more leniency, or perhaps a place further away in the nave to view them at more leisure.