43 Best Sights in The Romantic Road, Germany

This plastered brick bell tower has foundations dating to AD 989, when it was constructed as a watchtower, and is now part of the Church of St. Peter of Perlach, built in the 1600s. Climb the 258 stairs to the top of the 230-foot tower for gorgeous views of Augsburg and the countryside. Just be sure to time it to avoid being beneath the bells when they chime.

This church, also known simply as Wieskirche (church in the meadow), is a glorious example of German rococo architecture, in an Alpine meadow just off the Romantic Road. Its yellow-and-white walls and steep red roof are set off by the dark backdrop of the Trauchgauer Mountains. The architect Dominicus Zimmermann, former mayor of Landsberg and creator of much of that town's architecture, built the church in 1745 on the spot where six years earlier a local woman claimed to see tears running down the face of a picture of Christ. Visit it on a bright day if you can, when light streaming through its high windows displays the full glory of the glittering gold and white interior. A complex oval plan is animated by brilliantly colored stuccowork, statues, and gilt. A luminous ceiling fresco completes the decoration. Concerts are presented in the church from the end of June through the beginning of August.

The heart of the city is the Rathaus, where a car-free square has become a popular gathering point with a great view. Half of the town hall is Gothic, begun in 1240; the other half is neoclassical, started in 1572, and renovated after its original facade was destroyed by a fire 500 years ago. You can climb the 220 stairs of the tower to get a good view of the Franken countryside.

Built in 1370, the city hall maintains its original, opulently painted Renaissance facade despite its interior having been gutted by World War II bombs. Paintings depicting virtues, commandments, and vices dating back to the 1500s adorn the exterior and an astronomical clock to rival that in Prague was added in 1520. Still in official use, most of the interior is closed to tourists; however, inside hangs a reproduction of the local tailor Ludwig Berblinger's flying machine. In 1811 Berblinger, a local eccentric, cobbled together a pair of wings and made a big splash by trying to fly across the river. He didn't make it, but he grabbed a place in German history books for his efforts.

The Teutonic Knights' former castle, at the eastern end of the town, had its peak from 1527 to 1809, when the highly influential and resident Deutschmeister received guests, including the Kaiser, here. The powerful Hohenlohe family joined the Teutonic Order, founded in 1190, and gifted them this property in 1219. Although it lost its luster after the Napoleonic wars, the medieval castle has remarkable architectural features: originally, a moated castle, the building was expanded beginning in 1568 and converted to a palace. Baroque features, including an intricately carved wooden staircase, were added in the late 18th century. Post–World War II restoration work has converted the buildings into a museum that follows the history of the Teutonic Order. The castle also hosts classical concerts, lectures, and events for families and children.

Formerly known as the Reichsstadtmuseum (Imperial Town Museum), it is still housed in a former Dominican convent dating back to the 13th century, including a cloister where one of the artifacts is the great tankard, or Pokal, of the Meistertrunk. The town purchased the property in 1933 and converted it into a museum. Exhibits include hunting weapons used by Marie Antoinette, a hunting rifle belonging to Frederick the Great of Prussia, musical instruments and original Biedermeier room reconstructed from a Rothenburg townhouse from the early 1800s, and a gallery which explores Jewish life in Rothenberg from the 13th century to the Third Reich.

This elegant 18th-century city palace was built by the von Liebenhofens, a family of wealthy bankers. Schaezler was the name of a baron who married into the family. Today the palace rooms contain the Deutsche Barockgalerie (German Baroque Gallery), a major art collection that features works of the 17th and 18th centuries. The palace adjoins the former church of a Dominican monastery. A steel door behind the banquet hall leads into another world of high-vaulted ceilings, where the Staatsgalerie Altdeutsche Meister, a Bavarian state collection, highlights old-master paintings, among them a Dürer portrait of one of the Fuggers. 

This baroque castle of the Princes of Hohenlohe-Schillingsfürst is 20 km (12 miles) south of Rothenburg-ob-der-Tauber. Standing on an outcrop, it can be seen from miles away. You can watch eagles and falcons swoop down from high in the sky to catch their prey during one of the Bavarian falconry demonstrations held in the courtyard here, twice daily from April to October. Castle tour highlights include the Red Salon, named for its wall color and filled with Nymphenbeurg porcelain, and the Billiard Room, with a wood-carved table from 1700.

The first summer palace of the prince-bishops is 8 km (5 miles) north of Würzburg. Enlarged and renovated by Balthasar Neumann in 1753, the castle became a summer residence of the Bavarian kings in 1814. You reach the castle by walking down a long allée of trees on the extensive grounds. To your right are the "formal" rococo gardens, planned and laid out at the beginning of the 18th century. On the other side of the castle are the "utility" gardens, cared for by the Bavarian State College for Wines and Gardens. The college was founded here in 1902 as the Royal School for Gardening and Wine Culture. Walls, pavilions, a small lake teeming with fish, and gardens laden with fruit complete the picture of this huge park. From April to October fountains come to life every hour on the hour from 1 to 5. Inside the palace are the rooms of the Bavarian royal family, which can only be visited on the 30-minute guided tour, with a tour in German each hour. A bus service runs from Würzburg's Kirchplatz to the palace. From mid-April to mid-October there is also a boat operating between Würzburg and the palace (daily 10–4). The 40-minute trip costs €13 round-trip.

Watchmen still sound out the traditional So G'sell so (All's well) message from the 300-foot tower of the central parish church of St. Georg at half-hour intervals between 10 pm and midnight. The tradition goes back to an incident during the Thirty Years' War, when an enemy attempted to slip into the town and was detected by a resident. You can climb the 365 steps up the tower—known locally as the Daniel—for an unsurpassed view of the town and countryside, including, on clear days, 99 villages.

This Lutheran parish church, constructed from 1311 to 1485, showcases 700 years of stained-glass windows and has notable Riemenschneider sculptures, including the famous Heiliges Blut (Holy Blood of Christ) altar. Above the altar is a crystal capsule said to contain drops of Christ's blood. The Twelve Apostles Altar, by Friedrich Herlin, has the oldest depiction of the town of Rothenburg.

Standing at the highest point of the city, this Catholic basilica with an attached Protestant chapel symbolizes the Peace of Augsburg, the treaty that ended the religious struggle between the two groups. On the site of a Roman cemetery where St. Afra was martyred in AD 304, the original structure was built in the late-Gothic style in 1467. St. Afra is buried in the crypt, near the tomb of St. Ulrich, a 10th-century bishop who helped stop a Hungarian army at the gates of Augsburg in the Battle of the Lech River. The remains of a third patron of the church, St. Simpert, are preserved in an elaborate side chapel. From the steps of the magnificent altar, look back along the high nave to the finely carved, wrought-iron-and-wood baroque railing that borders the entrance. As you leave, look into the separate but adjacent church of St. Ulrich, the baroque preaching hall that was added for the Protestant community in 1710, after the Reformation.

The most important attraction in this museum of art, natural history, and archeology, founded in 1924, is the Löwenmensch, a 40,000-year-old figure of a half-man, half-lion found in a nearby cave. The museum illustrates centuries of development in this part of the Danube Valley. Art lovers will appreciate its collection of works by such modern artists as Kandinsky, Klee, Léger, and Lichtenstein.