Many regard Mittenwald as the most beautiful town in the Bavarian Alps. It has somehow avoided the architectural sins found in other Alpine villages by maintaining a balance between conservation and the needs of tourism. Its medieval prosperity is reflected on its main street, Obermarkt, which has splendid houses with ornately carved gables and brilliantly painted facades. Goethe called it "a picture book come alive,"
and it still is. The town has even re-created the stream that once flowed through the market square. In the Middle Ages, Mittenwald was the staging point for goods shipped from the wealthy city-state of Venice by way of the Brenner Pass and Innsbruck. From Mittenwald, goods were transferred to rafts, which carried them down the Isar River to Munich. By the mid-17th century the international trade routes shifted to a different pass, and the fortunes of Mittenwald evaporated.
In 1684 Matthias Klotz, a farmer's son turned master violin maker, returned from a 20-year stay in Cremona, Italy. There, along with Antonio Stradivari, he studied under Nicolo Amati, who developed the modern violin. Klotz taught the art of violin making to his brothers and friends and before long, half the men in the village were crafting the instruments, using woods from neighboring forests. Mittenwald became known as the Village of a Thousand Violins and the locally crafted instruments are still treasured around the world. In the right weather—sunny, dry—you may even catch the odd sight of laundry lines hung with new violins out to receive their natural dark hue. The violin has made Mittenwald a small cultural oasis in the middle of the Alps. Not only is there an annual violin- (and viola-, cello-, and bow-) building contest each year in June, with concerts and lectures, but also an organ festival in the church of St. Peter and St. Paul held from the end of July to the end of September. The town also has a violin-making school.