Schloss Nymphenburg Review

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Schloss Nymphenburg

Fodor's Review:

This glorious baroque and rococo palace is the largest of its kind in Germany, stretching more than 1 km (½ mi) from one wing to the other. The palace grew in size and scope over a period of more than 200 years, beginning as a summer residence built on land given by Prince Ferdinand Maria to his beloved wife, Henriette Adelaide, on the occasion of the birth of their son and heir, Max Emanuel, in 1663. The princess hired the Italian architect Agostino Barelli to build both the Theatinerkirche and the palace, which was completed in 1675 by his successor, Enrico Zuccalli. Within the original building, now the central axis of the palace complex, is a magnificent hall, the Steinerner Saal, extending over two floors and richly decorated with stucco and grandiose frescoes. In summer, chamber-music concerts are given here. One of the surrounding royal chambers houses the famous Schönheitsgalerie (Gallery of Beauties). The walls are hung from floor to ceiling with portraits of women who caught the roving eye of Ludwig I, among them a butcher's daughter and an English duchess. The most famous portrait is of Lola Montez, a sultry beauty and high-class courtesan who, after a time as the mistress of Franz Liszt and later Alexandre Dumas, so enchanted King Ludwig I that he almost bankrupted the state for her sake and was ultimately forced to abdicate.

The palace is in a park laid out in formal French style, with low hedges and gravel walks extending into woodland. Among the ancient tree stands are three fascinating structures. The Amalienburg hunting lodge is a rococo gem built by François Cuvilliés. The silver-and-blue stucco of the little Amalienburg creates an atmosphere of courtly high life, making clear that the pleasures of the chase did not always take place outdoors. Of the lodges, only Amalienburg is open in winter. In the lavishly appointed kennels you'll see that even the dogs lived in luxury. The Pagodenburg was built for royal tea parties. Its elegant French exterior disguises a suitably Asian interior in which exotic teas from India and China were served. Swimming parties were held in the Badenburg, Europe's first post-Roman heated pool.

Nymphenburg contains so much of interest that a day hardly provides enough time. Don't leave without visiting the former royal stables, now the Marstallmuseum (Museum of Royal Carriages. EUR 2.50). It houses a fleet of vehicles, including an elaborately decorated sleigh in which King Ludwig II once glided through the Bavarian twilight, postilion torches lighting the way. On the walls hang portraits of the royal horses. Also exhibited are examples of Nymphenburg porcelain, produced here between 1747 and the 1920s. A popular museum in the north wing of the palace has nothing to do with the Wittelsbachs but is one of Nymphenburg's major attractions. The Museum Mensch und Natur (Museum of Man and Nature. 089/179-5890. EUR 2.50, EUR 1 Sun. Tues.-Fri. 9-5, weekends 10-6) concentrates on three areas of interest: the variety of life on Earth, the history of humankind, and our place in the environment. Main exhibits include a huge representation of the human brain and a chunk of Alpine crystal weighing half a ton. Take Tram 17 or Bus 41 from the city center to the Schloss Nymphenburg stop.

  • Cost: Schloss Nymphenburg complex, combined ticket including Marstallmuseum but not Museum Mensch und Natur, EUR 10, EUR 8 in winter, when parts of complex are closed
  • Open: Apr.-Oct. 15, daily 9-6; Oct. 16-Mar., daily 10-4
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