Musée Matisse Review
In the '60s the city of Nice bought this lovely, light-bathed 17th-century villa, surrounded by the ruins of Roman civilization, and restored it to house a large collection of Henri Matisse's works. Matisse settled along Nice's waterfront in 1917, seeking a sun cure after a bout with pneumonia, and remained here until his death in 1954. During his years on the French Riviera, Matisse maintained intense friendships and artistic liaisons with Renoir, who lived in Cagnes, and with Picasso, who lived in Mougins and Antibes. He eventually moved up to the rarefied isolation of Cimiez and took an apartment in the Hôtel Regina (now an apartment building, just across from the museum), where he lived out the rest of his life. Matisse walked often in the parklands around the Roman remains and was buried in an olive grove outside the Cimiez cemetery. The collection of artworks includes several pieces the artist donated to the city before his death; the rest were donated by his family. In every medium and context—paintings, gouache cutouts, engravings, and book illustrations—the collection represents the evolution of his art, from Cézanne-like still lifes to exuberant dancing paper dolls. Even the furniture and accessories speak of Matisse, from the Chinese vases to the bold-printed fabrics with which he surrounded himself. A series of black-and-white photographs captures the artist at work, surrounded by personal—and telling—details.
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