Van Gogh in Arles and St-Rémy
It was the light that drew Vincent van Gogh to Arles. For a man raised under the iron-gray skies of the Netherlands and the gaslight pall of Paris, Provence's clean, clear sun was a revelation. In his last years he turned his frenzied efforts to capture the resonance of " … golden tones of every hue: green gold, yellow gold, pink gold, bronze or copper colored gold, and even from the yellow of lemons to the matte, lusterless yellow of threshed grain."
Arles, however, was not drawn to Van Gogh. Though it makes every effort today to make up for its misjudgment, Arles treated the artist badly during the time he passed here near the end of his life—a time when his creativity, productivity, and madness all reached a climax. It was 1888 when he settled in to work in Arles with an intensity and tempestuousness that first drew, then drove away his companion Paul Gauguin, with whom he had dreamed of founding an artists' colony.
Frenziedly productive—he applied a pigment-loaded palette knife to some 200 canvases in that year alone—he nonetheless lived in intense isolation, counting his sous, and writing his visions in lengthy letters to his long-suffering, infinitely patient brother Theo. Often drinking heavily, occasionally whoring, Vincent alienated his neighbors, goading them to action. In 1889 the people of Arles circulated a petition to have him evicted, a shock that left him less and less able to cope with life and led to his eventual self-commitment to an asylum in nearby St-Rémy. The houses he lived in are no longer standing, though many of his subjects remain as he saw them. The paintings he daubed and splashed with such passion have been auctioned elsewhere.
Thus you have to go to Amsterdam or Moscow to view Van Gogh's work. But with a little imagination, you can glean something of Van Gogh's Arles from a tour of the modern town. In fact, the city has provided helpful markers and a numbered itinerary to guide you between landmarks. You can stand on the Place Lamartine, where his famous Maison Jaune stood until it was destroyed by World War II bombs. Starry Night may have been painted from the Quai du Rhône just off Place Lamartine, though another was completed at St-Rémy.
The Café La Nuit on Place Forum is an exact match for the terrace platform, scattered with tables and bathed in gaslight under the stars, from the painting Terrasse de café le soir; Gauguin and Van Gogh used to drink here. (Current owners have determinedly maintained the Fauve color scheme to keep the atmosphere.) Both the Arènes and Les Alyscamps were featured in paintings, and the hospital where he broke down and cut off his earlobe is now a kind of shrine, its garden reconstructed exactly as it figured in Le Jardin de l'Hôtel-Dieu. The drawbridge in Le pont de Langlois aux Lavandières has been reconstructed outside of town, at Port-de-Bouc, 3 km (2 miles) south on D35.
About 25 km (15½ miles) away is St-Rémy-de-Provence, where Van Gogh retreated to the asylum St-Paul-de-Mausolée. Here he spent hours in silence, painting the cloisters. On his ventures into town, he painted the dappled lime trees at the intersection of Boulevard Mirabeau and Boulevard Gambetta. And en route between the towns, you'll see the orchards whose spring blooms ignited his joyous explosions of yellow, green, and pink.
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