174 Best Sights in Paris, France

In recent years, the 3e arrondissement, known at the "haut Marais," or upper Marais, has morphed into one of the city's hottest neighborhoods. Its charming old notions and hardware shops have been replaced by cool cafés, art galleries, and trendy boutiques. To enjoy this alluring quartier like a local, first head to Rue de Bretagne, the main drag. Stop for lunch at one of the food stalls in the Marché des Enfants Rouges (No. 39, open Tuesday through Sunday); it's the oldest covered market in Paris. Next, explore narrow side streets, like Rues Charlot, Debelleyme, and Poitou, lined with art galleries and small boutiques. Stop for a famous chausson aux pommes at Poilâne bakery ( 38 rue Debelleyme), or treat yourself to a homemade gelato at Pastelli Mary Gelateria ( 60 rue du Temple) before a visit to one of Paris's most original small museums, the Musée de la Chasse et de la Nature ( 62 rue des Archives).

The park attached to the City Hall (Mairie) of the 3e arrondissement is a fine place to picnic or relax and watch the world go by, complete with a children's playground, a charming duck pond, and lovely greenery. Across the street is the 19th-century cast-iron-and-glass Carreau du Temple, which is now a locally driven arts and sports community center. This is the site of the former Templar Tower, where Louis XIV and Marie-Antoinette were imprisoned before the king's date with the guillotine. (Napoléon later razed it.) For your evening apéritif, make a beeline for the buzzy Café Charlot ( 38 rue de Bretagne). If you're in the mood for a cocktail, try the Little Red Door speakeasy ( 60 rue Charlot).

Inspired by Rome's Arch of Titus, this colossal, 164-foot triumphal arch was ordered by Napoléon—who liked to consider himself the heir to Roman emperors—to celebrate his military successes. Unfortunately, Napoléon's strategic and architectural visions were not entirely on the same plane, and the Arc de Triomphe proved something of an embarrassment. Although the emperor wanted the monument completed in time for an 1810 parade in honor of his new bride, Marie-Louise, it was still only a few feet high, and a dummy arch of painted canvas was strung up to save face. Empires come and go, but Napoléon's had been gone for more than 20 years before the Arc was finally finished in 1836. A small museum halfway up recounts its history.

The Arc de Triomphe is notable for magnificent sculptures by François Rude, including the Departure of the Volunteers in 1792, better known as La Marseillaise, to the right of the arch when viewed from the Champs-Élysées. Names of Napoléon's generals are inscribed on the stone facades—the underlined names identify the hallowed figures who fell in battle.

The traffic circle around the Arc is named for Charles de Gaulle, but it's known to Parisians as L'Étoile, or "the Star"—a reference to the streets that fan out from it. Climb the stairs to the top of the arch and you can see the star effect of the 12 radiating avenues and the vista down the Champs-Élysées toward Place de la Concorde and the distant Musée du Louvre.

Paris mayor Anne Hildago's ambitious plans to "green" the city include a total makeover for the Place d'Étoile to make visiting the Arc de Triomphe a safer and more pleasant experience. By 2024, traffic will be limited in favor of enlarged pedestrian areas and a wide expanse of trees extending all the way down the Champs-Élysées. France's Unknown Soldier is buried beneath the arch, and a commemorative flame is rekindled every evening at 6:30. That's the most atmospheric time to visit, but, to beat the crowds, come early in the morning or buy your ticket online.  Be wary of the traffic circle that surrounds the arch. It's infamous for accidents—including one several years ago that involved the French transport minister. Always use the underground passage from the northeast corner of Avenue des Champs-Élysées.

An abandoned iron foundry in the hip 11e arrondissement is the soaring backdrop for Culturespace's newest feast for the eyes and the senses, where visitors are invited to actually step into the midst of some of the great masterpieces of 19th- and 20th-century painting (many found in famous Parisian museums). More than 100 video projectors cast vivid scenes of gorgeously colored artwork on the walls, ceilings, and floors, accompanied by a dynamic soundtrack for total immersion into a 30-minute explosion of color and sound.

Encompassing a trio of upscale department stores (Printemps Mode, Printemps Beauté-Maison-Enfant, and Printemps Homme), this vast, venerable retailer has been luring shoppers since 1865 and has lately upped its glamour quotient with a series of elegant storewide restorations. Besides the clothes, shoes, housewares, and everything else, there are appealing dining options here. Two floors of the main building (Printemps Homme) have been completely renovated and are now home to Printemps du Goût, a celebration of French cuisine. If you are a do-it-yourselfer, you can find the best of French foodstuffs on the seventh floor. But if you want to eat in style while taking in spectacular views, either from inside via floor-to-ceiling windows or outside on the wraparound terrace, continue on to the eighth floor, where noted chefs and food artisans—including master cheese-maker Laurent Dubois, chef pâtissier Nina Métayer, and artisanal baker Gontran Cherrier—oversee a gourmet cornucopia. You can also opt for a leisurely shopping break at La Brasserie Printemps, under the famous stained-glass cupola, or the magnificent terrace of restaurant Perruche, with 360-degree views over Paris. Shoppers will be pleased to know that Paris's grand department stores are now open Sunday.

Built between 1136 and 1286, St-Denis Basilica is one of the most important Gothic churches in France. It was here, under dynamic prelate Abbé Suger, that Gothic architecture (typified by pointed arches and rib vaults) was said to have made its first appearance. The kings of France soon chose St-Denis as their final resting place, and their richly sculpted tombs—along with what remains of Suger's church—can be seen in the choir area at the east end. The basilica was battered during the Revolution; afterward, however, Louis XVIII reestablished it as the royal burial site by moving the remains of Louis XVI and Marie-Antoinette here to join centuries' worth of monarchial bones. The vast 13th-century nave is a brilliant example of structural logic; its columns, capitals, and vault are a model of architectural harmony. The facade, retaining the rounded arches of the Romanesque that preceded the Gothic period, is set off by a small rose window, reputedly the oldest in France. Check out the extensive archaeological finds, such as a Merovingian queen's grave goods. Occasional guided tours in English are offered (see website for exact times); if you'd rather explore on your own, audioguides are available for €3, as is a free English-language information leaflet.

It's hard not to feel as though you're ascending to heaven when you visit Sacred Heart Basilica, the white castle in the sky, perched atop Montmartre. The French government commissioned it in 1873 to symbolize the return of self-confidence after the devastating years of the Commune and Franco-Prussian War, and architect Paul Abadie employed elements from Romanesque and Byzantine styles when designing it—a mélange many critics dismissed as gaudy. Construction lasted until World War I, and the church was finally consecrated in 1919. Many people now come to Sacré-Coeur to admire the superlative view from the top of its 271-foot-high dome. But if you opt to skip the climb up the spiral staircase, the view from the front steps is still ample compensation for the trip.

Inside, expect another visual treat—namely the massive golden mosaic set high above the choir. Created in 1922 by Luc-Olivier Merson, Christ in Majesty depicts Christ with a golden heart and outstretched arms, surrounded by various figures, including the Virgin Mary and Joan of Arc. It remains one of the largest mosaics of its kind. In the basilica's 262-foot-high campanile hangs La Savoyarde, one of the world's heaviest bells, weighing about 19 tons.

The best time to visit Sacré-Coeur is early morning or early evening, and preferably not on a Sunday, when the crowds are thick. If you're coming to worship, there are daily Masses. To avoid the steps, take the funicular, which costs one métro ticket each way.

When Parisians want to experience the great outdoors without going too far from home, they head to the Bois de Boulogne. Once a royal hunting ground, the Bois is like a vast tamed forest where romantic lakes and wooded paths are complemented by formal gardens and family-friendly amusements. On nice days, it’s filled with cyclists, rowers, rollerbladers, and joggers. Art lovers also flock here thanks to the Fondation Louis Vuitton, a stunning exhibition space dedicated to contemporary art.

The Parc de Bagatelle is a floral garden with irises, roses, tulips, water lilies, and roaming peacocks, while the Pré Catelan contains one of Paris's largest trees: a copper beech more than 200 years old. Romantic Le Pré Catelan restaurant (three Michelin stars), a Belle Époque classic with an elegant terrace, still draws diners and wedding parties. The Jardin Shakespeare inside the Pré Catelan has a sampling of the flowers, herbs, and trees mentioned in Shakespeare's plays, and it becomes an open-air theater for the Bard's works in spring and summer. The Jardin d'Acclimatation is an amusement park that attracts hordes of preschoolers on summer Sundays. Boats or bikes can be rented for a few euros at Lac Inférieur. You can row or take a quick "ferry" to the island restaurant, Le Chalet des Îles. Two popular horse-racing tracks are also in the park: the Hippodrome de Longchamp and the Hippodrome d'Auteuil. Fans of the French Open can visit its home base, Stade Roland-Garros.

The main entrance to the Bois is off Avenue Foch near the Porte Dauphine métro stop on Line 2; it is best for accessing the Pré Catelan and Jardin Shakespeare, both off Route de la Grande-Cascade by the lake. For the Jardin d'Acclimatation and the Fondation Louis Vuitton, off Boulevard des Sablons, take Line 1 to Les Sablons or Porte Maillot, where you can walk or ride the Petit Train to the amusement park, which is next door to the foundation. The foundation also offers a €2 return-trip shuttle from Place de l'Étoile. The Parc de Bagatelle, off Route de Sèvres-à-Neuilly, can be accessed from either Porte Dauphine or Porte Maillot, though it's a bit of a hike. You'll want to leave the park by dusk, as the Bois—potentially dangerous after dark—turns into a distinctly “adult” playground.

Like the Bois de Boulogne to the west, this much-loved retreat on the city's eastern border was landscaped by Napoléon III. Its roots, however, reach back to the 13th century, when Philippe Auguste created a hunting preserve in the shadow of the royal Château de Vincennes, which once ranked as the largest château in Europe. In 1731 Louis XV created a public park here, and the bois (or woods) now features a Japanese garden, La Grande Pagode (a Buddhist temple containing the largest golden statue of the Buddha in Europe), and the exquisite Parc Floral, with acres of flower gardens, a huge kids' park, and summertime jazz and classical concerts. Horse races at the restored Vincennes Hippodrome de Paris are an event for the whole family, but perhaps not the Espace Naturiste, Paris's first area for nudists, opened in 2017. Rowboats are for hire at a pair of lakes: Lac Daumesnil, which has two islands, and Lac des Minimes, which has three. For the kids, there are pony rides, a miniature train, and numerous play areas. Here, too, you'll find the stunning Palais de la Porte Dorée, home to an immigration museum and tropical aquarium. Through late summer, the Parc Floral hosts two beloved music festivals, the Paris Jazz Festival and the Festival Classique au Vert. Grab a picnic and a blanket and enjoy classical music or jazz in the amphitheater or on the lawn in Paris's prettiest park.

Capping one of the art world's great rivalries, the Collection Pinault Paris opened in 2021, adding another gem to the city's cultural roster. After years of false starts, tycoon François Pinault is now showcasing his billion-dollar trove of contemporary works by bold-faced names such as Mark Rothko and Damien Hirst under the historic iron-and-glass dome of the 19th-century Commerce Exchange, one of the city's most stunning, if underused, buildings. After losing a previous bid to open a museum outside Paris—taking his works to Venice instead—Gucci owner Pinault could only watch as archrival Bernard Arnault opened his Frank Gehry–designed Fondation Louis Vuitton in 2014. Not one to be outdone, Pinault tapped star Japanese architect Tadao Ando to carry out a nearly $140 million redesign of the edifice—Paris' former grain exchange—in 2017. Inside, four levels of exhibition space spiral skyward along a giant concrete cylinder ringed at the top by a walkway offering a bird's-eye view of the galleries below. The sparsity of the collections only contributes to the spaceship-like appeal of the contemporary renovation, with a handful of 19th-century details remaining: double-helix stone staircases, wooden display cases dating to 1889, the engine room on the lower level, and the realist mural adorning the underside of the dome, displaying seasonal panoramas of French traders engaged in commerce with the rest of the world. Paris Mayor Anne Hidalgo, who supplied a 50-year lease, called Pinault's creation an "immense gift" to the city. Free 20-minute tours depart daily from the ground-floor level; on the hour, tours explore the collection, while on the half-hour, they delve into the history and architecture of the building. A children's area allows kids to engage with a tour guide, discovering the collection by way of games and books, while the Halle aux Graines restaurant from Michelin-starred father-and-son team Michel and Sébastien Bras allows you to discover a tasting menu in three, five, or seven courses or an à la carte selection of upscale, contemporary French specialties. Don't miss the 100-foot-tall Medici Column on the back side of the building. It was once the stargazing perch of Marie de Medici's powerful astrologer, Cosimo Ruggieri. Legend has it that on stormy nights, a silhouetted figure can be seen in the metal cage at the top.

This once-forgotten canal has morphed into one of the city's trendiest places to wander. A good time to come is Sunday afternoon, when the Quai de Valmy is closed to cars and some of the shops are open. Rent a bike at any of the many Vélib' stations, stroll along the banks, or go native and cuddle quai-side in the sunshine with someone special.

In 1802 Napoléon ordered the 4.3-km (2.7-mile) canal dug as a source of clean drinking water after cholera and other epidemics swept the city. When it finally opened 23 years later, it extended north from the Seine at Place de la Bastille to the Canal de l'Ourcq, near La Villette. Baron Haussmann later covered a 1.6-km (1-mile) stretch of it, along today's Boulevard Richard Lenoir. It nearly became a highway in the 1970s, before the city's urban planners regained their senses. These days you can take a boat tour from end to end through the canal's nine locks: along the way, the bridges swing or lift open. The drawbridge with four giant pulleys at Rue de Crimée, near La Villette, was a technological marvel when it debuted in 1885. In recent years gentrification has transformed the once-dodgy canal, with artists taking over former industrial spaces and creating studios and galleries. The bar and restaurant scene is hipster central, and small designers have arrived, fleeing expensive rents in the Marais. To explore this evolving quartier, set out on foot. Start on the Quai de Valmy at Rue Faubourg du Temple (use the République métro stop). Here, at Square Frédéric Lemaître facing north, there is a good view of one of the locks (behind you the canal disappears underground). As you head north, detour onto side streets like Rue Beaurepaire, a fashionista destination with several "stock" (or surplus) shops for popular brands, some open on Sunday. Rues Lancry and Vinaigriers are lined with bars, restaurants, and small shops.

A swing bridge across the canal connects Lancry to the Rue de la Grange aux Belles, where you'll find the entrance to the massive Hôpital Saint-Louis, built in 1607 to accommodate plague victims and still a working hospital today. In front of you is the entrance to the chapel, which held its first Mass in July 1610, two months after the assassination of the hospital's patron, Henry IV. Stroll the grounds, flanked by the original brick-and-stone buildings with steeply sloping roofs. The peaceful courtyard garden is a neighborhood secret.

Back on Quai Valmy, browse more shops near the Rue des Récollets. Nearby is the Jardin Villemin, the 10e arrondissement's largest park (4½ acres) on the former site of another hospital. The nighttime scene, especially in summer, is hopping with twentysomethings spilling out of cafés and bars and onto the canal banks. If you've made it this far, reward yourself with a fresh taco or burrito at the tiny and authentically Mexican El Nopal taqueria ( 3 rue Eugène Varlin). Farther up, just past Place Stalingrad, is the La Rotonde Ledoux (commonly called Rotonde de la Villette), a lively square with restaurants and twin MK2 cinemas on either side of the canal, plus a boat to ferry ticket holders across. Canauxrama ( www.canauxrama.com) offers 2½-hour boat cruises through the locks (€20). Embarkation is at each end of the canal: at Bassin de la Villette or Port de l'Arsenal.

Love it or hate it, the Pompidou is certainly a unique-looking building, and it holds some of the city's best contemporary art, from the 20th century to the present day. Most Parisians have warmed to the industrial, Lego-like exterior that caused a scandal when it opened in 1977. Named after French president Georges Pompidou (1911–74), it was designed by then-unknown architects Renzo Piano and Richard Rogers, who put the building's guts on the outside and color-coded them: water pipes are green, air ducts are blue, electrics are yellow, and things like elevators and escalators are red.

The Musée National d'Art Moderne (Modern Art Museum, entrance on Level 4) occupies the top two levels. Level 5 is devoted to modern art from 1905 to 1960, including major works by Matisse, Modigliani, Marcel Duchamp, and Picasso. Level 4 is dedicated to contemporary art from the '60s on, including video installations. The Galerie d'Enfants (Children's Gallery) on the mezzanine level has interactive exhibits designed to keep the kids busy. Outside, next to the museum's sloping plaza—where throngs of teenagers hang out (and where there's free Wi-Fi)—is the Atelier Brancusi. This small, airy museum contains four rooms reconstituting Brancusi's Montparnasse studios with works from all periods of his career. On the opposite side, in Place Igor-Stravinsky, is the Stravinsky fountain, which has 16 gyrating mechanical figures in primary colors, including a giant pair of ruby red lips. On the opposite side of Rue Rambuteau, on the wall at the corner of Rue Clairvaux and Passage Brantôme, is the appealingly bizarre, mechanical, brass-and-steel clock, Le Défenseur du Temps.

The Pompidou's permanent collection takes up very little of the massive building, which also contains temporary exhibition galleries, including a special wing for design and architecture; the free, highly regarded reference library (university students often line up on Rue Renard to get in); and the basement, with its two cinemas, theater, dance venue, and a small, free exhibition space. On your way up the escalator, you'll have spectacular views of Paris, ranging from Tour Montparnasse to the left, around to the hilltop Sacré-Coeur on the right.

This imposing high-walled château, on the northern edge of the Bois de Vincennes, was France's medieval version of Versailles. Built and expanded by various kings between the 12th and 14th centuries, it is now surrounded by a dry moat and dominated by a 170-foot keep, the last of nine original towers. The royal residence eventually became a prison holding, notably, convicts of both sexes—and "the doors did not always remain closed between them," as one tour guide coyly put it. Inmates included the philosopher Diderot and the Marquis de Sade, and the alleged spy Mata Hari was executed in its dry moat bed. Both the château and its cathedral, Ste-Chapelle—designed in the style of the Paris church of the same name—have undergone a spectacular restoration, returning them to their previous glory. If you speak French, the free 90-minute tour is worthwhile; otherwise, consider spending €3 for the English audioguide. The entrance to the lovely Parc Floral de Paris is just behind the chateau.

Many of the neighborhood's most illustrious residents rest here, a stone's throw from where they lived and loved: Charles Baudelaire, Frédéric Bartholdi (who designed the Statue of Liberty), Alfred Dreyfus, and Guy de Maupassant as well as photographer Man Ray, playwright Samuel Beckett, writers Susan Sontag, Marguerite Duras, Jean-Paul Sartre, and Simone de Beauvoir, actress Jean Seberg, and singer-songwriter Serge Gainsbourg. Opened in 1824, the ancient farmland is the second-largest burial ground in Paris and is spread over 47 acres—so if you go late in the day, give yourself plenty of time to get back to the gate before the exits are locked. Note that this is not the largest cemetery in Paris—that honor goes to the Cimetière du Père-Lachaise, in eastern Paris.

Bring a red rose for "the Little Sparrow" Edith Piaf when you visit the cobblestone avenues and towering trees that make this 118-acre oasis of green perhaps the world's most famous cemetery. Named for Père François de la Chaise, Louis XIV's confessor, Père-Lachaise is more than just a who's who of celebrities. The Paris Commune's final battle took place here on May 28, 1871, when 147 rebels were lined up and shot against the Mur des Fédérés (Federalists' Wall) in the southeast corner. Aside from the sheer aesthetic beauty of the cemetery, the main attraction is what (or who, more accurately) is belowground.

Two of the biggest draws are Jim Morrison's grave (with its own guard to keep Doors fans under control) and the life-size bronze figure of French journalist Victor Noir, whose alleged fertility-enhancing power accounts for the patches of bronze rubbed smooth by hopeful hands. Other significant grave sites include those of 12th-century French philosopher Pierre Abélard and his lover Héloïse; French writers Colette, Honoré de Balzac, and Marcel Proust; American writers Richard Wright, Gertrude Stein, and Alice B. Toklas; Irish writer Oscar Wilde; French actress Sarah Bernhardt; French composer Georges Bizet; Greek-American opera singer Maria Callas; Franco-Polish composer Frédéric Chopin; painters of various nationalities including Georges-Pierre Seurat, Camille Pissaro, Jean-Auguste-Dominique Ingres, Jacques-Louis David, Eugène Delacroix, Théodore Géricault, Amedeo Clemente Modigliani, and Max Ernst; French jazz violinist Stephane Grappelli; French civic planner Baron Haussmann; French playwright and actor Molière; and French singer Edith Piaf. (To visit the grave sites of a few other famous French men and women, head south to Cimetière du Montparnasse, north to Cimetière de Montmartre, or west to Passy Cemetery.)

Pinpoint grave sites on the website before you come, but buy a map anyway outside the entrances—you'll still get lost, but that's part of the fun.

One of the best days to visit is on All Saints' Day (November 1), when Parisians bring flowers to adorn the graves of loved ones or favorite celebrities.

Once a train line from the Paris suburbs to Bastille, this redbrick viaduct (often referred to as Le Viaduc des Arts) is now one of the park highlights of the unpretentious 12e arrondissement. The rails have been transformed into a 4½-km (3-mile) walkway lined with trees, bamboo, and flower gardens, offering a bird's-eye view of the stately Haussmannian buildings along Avenue Daumesnil. Below, the voûtes (arcades) have been transformed by the city into artisan boutiques, many focused on decor and design. There are also temporary galleries showcasing art and photography. The Promenade, which gained fame as a setting in the 2004 film Before Sunset, was the inspiration for New York's High Line. It ends at the Bastille. From there, you can continue your walk to the Bois de Vincennes. If you're hungry, grab a bite at L'Arrosoir, a cozy café under the viaduct ( 75 av. Daumesnil).

Dubbed the Cathedral of the Rive Gauche, this enormous 17th-century Baroque church has entertained some unlikely christenings—among them those of the Marquis de Sade and Charles Baudelaire—as well as the nuptials of novelist Victor Hugo. More recently, the church played a supporting role in the best-selling novel The Da Vinci Code, and it now draws scores of tourists to its obelisk (part of a gnomon, a device used to determine exact time and the equinoxes, built in the 1730s). Other notable features include the exterior’s asymmetrical towers and two magnificent Delacroix frescoes, which can be seen in a chapel to the right of the entrance. In the square just in front, view Visconti’s magnificent 19th-century fountain—it's especially beautiful at night.

The Eiffel Tower is to Paris what the Statue of Liberty is to New York and what Big Ben is to London: the ultimate civic emblem. French engineer Gustave Eiffel spent two years working to erect this iconic monument for the World Exhibition of 1889. Because its colossal bulk exudes such a feeling of permanence, it's hard to believe that the tower nearly became 7,000 tons of scrap when the concession expired in 1909. Only its potential use as a radio antenna saved the day. Though many prominent Parisians derided it at first, the tower gradually became part of the city's topography. It's most breathtaking at night, when every girder is highlighted in a glittering show of 20,000 golden lights for five minutes every hour on the hour from nightfall until 11:45 pm.

More recent enhancements include a two-year, €30 million renovation of the first level that added a vertigo-inducing "transparent" floor 187 feet above the esplanade as well as a mini-turbine plant, four vertical turbine windmills, and eco-friendly solar panels to minimize the tower's carbon footprint over time. You can stride up 704 steps as far as the second level, but only the elevator goes to the top. The view of the flat sweep of Paris at 1,000 feet is sublime—especially if you come in the late evening, after the crowds have dispersed. Beat the crushing lines by reserving your ticket online, or book a skip-the-line guided tour offered by many companies (from €41). On the tower's second floor, the Jules Verne restaurant—with its Michelin star—is about as dramatic a lunch or dinner spot as you'll find. Or you can watch the glimmering lights from the top of the tower over a bubbly, or a nonalcoholic, drink at the Bar à Champagne (there's also a sit-down bistro from Jules Verne's chef Thierry Marx on the first floor and small "Buffet" snack shops on the esplanade and the first and second floors). 

At the tower's tippy top, you'll also find Gustave Eiffel's "secret apartment," which he used as his office, including wax mannequins of Eiffel, Thomas Edison, and a blonde woman in the background who represents Claire, Eiffel's oldest daughter, with whom he was very close.

Henri Cartier-Bresson, the legendary artist-photojournalist and co-creator of the Magnum photo agency, launched this foundation with his wife Martine Franck, a British-Belgian portrait and documentary photographer, and their daughter Melanie. The soaring, light-filled gallery showcases a collection of 50,000 original prints along with an exceptional series of solo exhibitions from notable photographers. The foundation's bookstore itself is a draw for photography buffs.

Maison La Roche is a must-see for architecture and design lovers. Built as a residence in 1923, it’s a stellar example of Swiss architect Le Corbusier's innovative construction techniques based on geometric forms, recherché color schemes, and a visionary use of iron and concrete. The sloping ramp that replaces the traditional staircase is one of the most eye-catching features. Hour-long English tours are available (four-person minimum) by advance booking.

Rising up out of the Bois de Boulogne like a magnificent ship sporting billowing crystal sails, Frank Gehry’s contemporary-art museum and cultural center is the most captivating addition to the Parisian skyline since the unveiling of the Centre Pompidou in 1977. Commissioned by Bernard Arnault (chairman and CEO of luxury-goods conglomerate LVMH), the museum, which opened in 2014, houses Arnault’s substantial private collection, including pieces by Pierre Huyghe, Gerhard Richter, Thomas Schütte, Ellsworth Kelly, Bertrand Lavier, Taryn Simon, Sarah Morris, and Christian Boltanski, among others. La Fondation Louis Vuitton also hosts extensive temporary exhibitions, like the mesmerizing light installations of Danish-Icelandic artist Olafur Eliasson. Le Frank, the pricey on-site restaurant overseen by Michelin-starred chef Jean-Louis Nomicos, is noted for its sophisticated mix of French and international cuisine. The museum is a 12-minute walk from Les Sablons métro on Line 1; alternatively, you can catch the Fondation shuttle (€2 for a return ticket), which leaves every 10–15 minutes from Avenue de Friedland at Place de l’Étoile.

Following on the heels of the Musée Yves Saint Laurent Paris (and helmed by its former director) this drop-dead gorgeous exhibition space, housed in the same building as the Dior flagship boutique store and restaurant, inaugurates a new direction for Dior, fusing fashion and culture. No doubt inspired by the blockbuster Dior show at Paris's Musée des Arts Décoratifs in 2017, the permanent exhibition assembles all of the house's great designers along with iconic pieces from the master himself. This primer on the history of Paris fashion is an absolute must-see for fashion buffs, and afterward, you may be inspired to pop into the Avenue Montaigne boutique next door for some shopping or a quick pick-me-up at the super-chic café.

Considered the grande dame of Paris's 19th-century passages couverts—the world's first shopping malls—this graceful arcade evokes an age of gaslights and horse-drawn carriages. Parisians once came to passages like this one to tread tiled floors instead of muddy streets; to see and be seen browsing boutiques under the glass-and-iron roofs. Today, the Galerie Vivienne still attracts unique retailers selling clothing, accessories, and housewares. La Marelle (No. 25) stocks secondhand designer labels, and wine merchant Legrand Filles & Fils ( 1 rue de la Banque) is the place for an upscale tasting. The Place des Victoires, a few steps away, is one of Paris's most picturesque squares. In the center is a statue of an outsized Louis XIV (1643–1715), the Sun King, who appears almost as large as his horse.

The stunning Byzantine glass coupole (dome) of the city's most famous department store is not to be missed. Amble to the center of the main store, amid the perfumes and cosmetics, and look up. If you're not in the mood for shopping, visit the (free) first-floor Galerie des Galeries, an art gallery devoted to fashion, applied arts, and design; or have lunch at one of the restaurants, including a rooftop bar and restaurant in the main store—it has some of the best panoramic views of the city. On your way down, the top floor of the main store is a good place to pick up interesting Parisian souvenirs. Across the street in Galeries Maison, the gourmet food hall has one of the city's best selections of delicacies and several restaurants, including the elegant Maison de la Truffe lunch bar. Try a classic madeleine filled with pistachio or lemon at YC Café Yann Couvreur's popular teatime. The luxurious Bar Kaspia, under the main building's famous coupole, serves caviar and all things from the sea. Don't miss Duclot La Cave on Galeries Maison/Gourmet's first floor, where 2,500 bottles of wine from France and around the world are on display.

This splendid museum is the closest you'll get to Versailles in Paris. It took more than 200 skilled artisans and nearly $160 million to achieve what is hands down Paris’s most ravishing museum to date, allowing the public a glimpse behind the elegant facade of a masterpiece of French 18th-century interior design for the first time in 250 years. No detail was overlooked in the restoration: wallpaper and curtains were painted or sewed by hand using the original 18th-century techniques; the woodwork was painstakingly stripped, restored, and gilded by master craftspeople; and decorative features were created in Paris’s most rarified workshops. 

The mansion is one of two twin structures built in 1758 for Louis XV to mark a new square created in his honor (now Place de la Concorde). Both buildings sat unused before the eastern facade—now the Hôtel de Crillon—was auctioned off to the Duc d’Aumont. The western edifice became the Garde-Meuble de la Couronne, the institution in charge of selecting, maintaining, and storing the king’s furniture. In 1789, it became the headquarters for the navy ministry, which remained in the building for 226 years. The decrees ending slavery and the slave trade in France were signed here in 1794. Visitors can learn about the building's history through state-of-the-art interactive displays in the grand ballroom and loggia, a sprawling balcony facing Place de la Concorde with impressive views of the Assemblée Nationale and the Eiffel Tower. You can take a guided visit (in English) or grab a state-of-the-art headset; well worth it to discover the museum's fascinating history.

The museum also houses the exquisite Al Thani collection, featuring objects and artwork spanning 6,000 years and myriad civilizations. Another great pleasure of your visit is lunch, teatime, or a cocktail at the romantic Café Lapérouse (the first offshoot of the historic Paris restaurant) or Mimosa, across the courtyard, helmed by chef Jean-François Piège, one of the city's star chefs. Both restaurants offer sumptuous interiors and outdoor dining in the interior courtyard or under the pillars overlooking Place de la Concorde.

The Baroque complex known as Les Invalides (pronounced lehz-ahn-vah-leed) is the eternal home of Napoléon Bonaparte (1769–1821) or, more precisely, his remains, which lie entombed under the golden dome. Louis XIV ordered the facility to be built in 1670 to house disabled soldiers (hence the name), and, at one time, 4,000 military men lived here. Today, a portion still serves as a veterans' residence and hospital. The Musée de l'Armée, containing an exhaustive collection of military artifacts from antique armor to weapons, is also here.

If you see only a single sight, make it the Église du Dome (one of Les Invalides's two churches) at the back of the complex. Napoléon's tomb was moved here in 1840 from the island of Saint Helena, where he died in forced exile. The emperor's body is protected by no fewer than six coffins—one set inside the next, sort of like a Russian nesting doll—which are then encased in a sarcophagus of red quartzite. The bombastic tribute is ringed by statues symbolizing Napoléon's campaigns of conquest. To see more Napoléoniana, check out the collection in the Musée de l'Armée featuring his trademark gray frock coat and huge bicorne hat. Look for the figurines reenacting the famous coronation scene when Napoléon crowns his empress, Josephine. You can see a grander version of this scene by the painter David hanging in the Louvre.

The best entrance is at the southern end, on Place Vauban (Avenue de Tourville); the ticket office is here, as is Napoléon's Tomb. There are automatic ticket machines at the main entrance on Place des Invalides.

Opened in 1640 and once known as the Jardin du Roi (King's Garden), this sprawling patch of greenery is a neighborhood gem. It's home to several gardens and various museums, all housed in 19th-century buildings that blend glass with ornate ironwork. The botanical and rose gardens are impressive, and plant lovers won't want to miss the towering greenhouses (serre in French)—they are filled with one of the world's most extensive collections of tropical and desert flora. If you have kids, take them to the excellent Grande Galerie de l'Évolution or one of the other natural history museums here: the Galerie de Paléontologie, replete with dinosaur and other skeletons, and the recently renovated Galerie de Minéralogie. If the kids prefer fauna, visit the Ménagerie, a small zoo founded in 1794 whose animals once fed Parisians during the 1870 Prussian siege. The star attractions are Nénette, the grande-dame orangutan from Borneo, and her swinging friends in the monkey and ape house.  If you need a break, there are three kiosk cafés in the Jardin.

This quintessential French garden, with its verdant lawns, rows of manicured trees, and gravel paths, was designed by André Le Nôtre for Louis XIV. After the king moved his court to Versailles in 1682, the Tuileries became the place for stylish Parisians to stroll. (Ironically, the name derives from the decidedly unstylish factories that once occupied this area: they produced tuiles, or roof tiles, fired in kilns called tuileries.) Monet and Renoir captured the garden with paint and brush. It's no wonder the Impressionists loved it—the gray, austere light of Paris's famously overcast days make the green trees appear even greener.

The garden still serves as a setting for one of the city's loveliest walks. Laid out before you is a vista of must-see monuments, with the Louvre at one end and the Place de la Concorde at the other. The Eiffel Tower looms in the distance on the other side of the Seine, along with the Musée d'Orsay, accessible by a footbridge in the center of the garden.

Begin exploring the garden at the Louvre end, with the Arc du Carrousel, a stone-and-marble arch commissioned by Napoléon to showcase the bronze horses he stole from St. Mark's Cathedral in Venice. The horses were eventually returned and replaced here with a statue of a quadriga, a four-horse chariot. On the Place de la Concorde end, twin buildings bookend the garden. On the Seine side, the former royal greenhouse is now the exceptional Musée de l'Orangerie, home to the largest display of Monet's lovely Water Lilies series, as well as a sizable collection of early 20th-century paintings, including many Impressionist works. On the opposite end is the Jeu de Paume, which hosts some of the city's best photography exhibitions.

Note that the Tuileries is one of the best places in Paris to take kids if they're itching to run around. There's a carousel, trampolines, and, in summer, a funfair. If you're hungry, look for carts serving gelato from Amorino or sandwiches from the chain bakery Paul at the eastern end near the Louvre. Within the gated part of the gardens are four cafés with terraces. Pavillon des Tuileries near Place de la Concorde is a good place to stop for late-afternoon tea or an apéritif.

Everything that is charming, unique, and befuddling about Parisian parks can be found in the Luxembourg Gardens: groomed trees, ironed-and-pressed walkways, sculpted flower beds, and immaculate emerald lawns meant for admiring, not necessarily for lounging. The tree- and bench-lined paths are a marvelous reprieve from the bustle of the neighborhoods it borders: the Quartier Latin, St-Germain-des-Prés, and Montparnasse. Beautifully austere during the winter months, the garden grows intoxicating as spring brings blooming beds of daffodils, tulips, and hyacinths, and the circular pool teems with wooden sailboats nudged along by children. The park's northern boundary is dominated by the Palais du Luxembourg, which houses the Sénat (Senate), one of two chambers that make up the Parliament. The original inspiration for the gardens came from Marie de Medici, who was nostalgic for the Boboli Gardens of her native Florence; she is commemorated by the recently restored Fontaine de Medicis, a favorite spot in summer for contemplative readers.

Les Marionettes du Théâtre du Luxembourg is a timeless attraction, where, on Wednesday, Saturday, and Sunday mornings and afternoons, you can catch classic guignols (marionette shows) for €7.20. The wide-eyed kids might be the real attraction—their expressions of utter surprise, despair, and glee have fascinated the likes of Henri Cartier-Bresson and François Truffaut. The park also has a merry-go-round, swings, and pony rides. The bandstand on the eastern side of the park hosts free concerts on summer afternoons.

As you stroll the paths, you might be surprised by a familiar sight: one of the original (miniature) casts of the Statue of Liberty was installed in the gardens in 1906. There are over 100 other statues in the gardens too. Check out the rotating photography exhibits hanging on the perimeter fence near the entrance on Boulevard St-Michel. Attractive refreshment stands sell soft drinks, espresso, crepes, and ice cream, and there's a well-maintained trail around the perimeter that is frequented by joggers. Gendarmes regularly walk the grounds to ensure park rules are enforced; follow guidelines posted on entry gates.

Le Cent Quatre takes its name from its address in a rough-around-the-edges corner of the 19e arrondissement, near Parc de la Villette. The former site of the city morgue, this cavernous art hub is home to an offbeat collection of performance venues, shops, and studios (artists of all genres compete for free studio space, and sometimes you can get a peek of them at work). Contemporary art exhibits, some of which charge admission, are staged here, as are concerts. On-site you'll also find a restaurant, a café, a bookstore, a secondhand shop, and a play area for children. Check the website before going to see what's on.

The catacombs are a fascinating haunt for anyone with morbid interests. A visit starts with a descent through dark, clammy passages that bring you to Paris's principal ossuary, which also once served as a hideout maze for the French Resistance. Bones from the defunct Cimetière des Innocents were the first to arrive in 1786, when decomposing bodies started seeping into the cellars of the market at Les Halles, drawing swarms of ravenous rats. The legions of bones were dumped here over the course of several decades by parish and by type—rows of skulls, packs of tibias, and piles of spinal disks, often rather artfully arranged. Among the nameless six million or so are the bones of Madame de Pompadour (1721–64), laid to rest with the riffraff after a lifetime spent as the mistress of Louis XV. One of the most interesting aspects of the catacombs is one you probably won't see: so-called cataphiles, or urban explorers, mostly art students, have found alternate entrances into the 300 km (186 miles) of tunnels and come to make art, party, and purportedly raise hell. Advance reservations are required (tickets are not refundable) and the line is always long to get in, as only 200 people can enter at a time. It's not recommended for claustrophobes or young children. Note that the exit and gift shop are at 21 bis avenue Rene Coty, about a half-mile from the entrance.