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Fodor's Paris 2014
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Musée Cernuschi Review
Wealthy Milanese banker and patriot Enrico (Henri) Cernuschi fled to Paris in 1850 after the new Italian government collapsed, only to be arrested during the 1871 Paris Commune. He subsequently decided to wait out the unrest by traveling and collecting Asian art. Upon his return 18 months later, he had a special mansion built on the edge of Parc Monceau to house his treasures, notably a two-story bronze Buddha from Japan. Today, this well-appointed museum contains Paris's second-most important collection of Asian art, after the Musée Guimet. Cernuschi had an eye not only for the bronze pieces he adored but also for Neolithic pottery (8,000 BC), mingqi tomb figures (300–900 AD), and an impressive array of terra-cotta figures from various dynasties. A collection highlight is La Tigresse, a bronze wine vessel in the shape of a roaring feline (11th century BC) purchased after Cernuschi's death. Although the museum is free, there is a charge for temporary exhibitions: previous shows have featured Japanese drawings, Iranian sculpture, and vintage photographs of Cambodia's temples.
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