The satirist and painter William Hogarth (1697–1764), little-known in the rest of the world, is hugely famous in Britain. His witty, acerbic engravings, which railed against the harsh injustices of the time, may be called the visual equivalent of the satires of Jonathan Swift and were no less influential in their time. Unfortunately his beloved house has had an appalling streak of bad luck; as if the decision, in the 1960s, to route one of the nation's busiest highways outside the front gates wasn't ignoble enough, it was closed after not one, but two, devastating fires in the early 2000s. Now fully restored, the rooms contain absorbing exhibitions, featuring many of Hogarth's 18th-century prints, together with replica furniture of the period, Look out for the 300-year-old mulberry tree in the garden; Hogarth and his wife used its fruit to bake pies for destitute children. The original copies of some of Hogarth's most famous works can be seen elsewhere in the city: The Rake's Progress at Sir John Soane's Museum; Marriage à la Mode at the National Gallery; and Gin Lane at the British Museum. His tomb is in the cemetery of St. Nicholas's church on nearby Chiswick Mall.