Tretí nádvorí (Third Courtyard)

Tretí nádvorí (Third Courtyard) Review

The contrast between the cool, dark interior of St. Vitus's Cathedral and the brightly colored Pacassi façades of the Third Courtyard just outside is startling. Noted Slovenian architect Josip Plecnik created the courtyard's clean lines in the 1930s, but the modern look is a deception. Plecnik's paving was intended to cover an underground world of house foundations, streets, and walls dating from the 9th through 12th centuries and rediscovered when the cathedral was completed. (You can see a few archways through a grating in a wall of the cathedral.) Plecnik added a few features to catch the eye: a granite obelisk to commemorate the fallen of World War I, a black-marble pedestal for the Gothic statue of St. George (a copy of the National Gallery's original statue), an inconspicuous entrance to his Bull Staircase leading down to the south garden, and a peculiar golden ball topping the eagle fountain near the eastern end of the courtyard.