Vying with the cathedral for the honor of emotional heart of the city—the opera house is a focus for Viennese life and one of the chief symbols of resurgence after World War II. Its directorship is one of the top jobs in Austria, almost as important as that of the president of the country, and one that draws even more public attention. The first of the Ringstrasse projects to be completed (in 1869), the opera house suffered disastrous bomb damage in the last days of World War II—only the outer walls, the front facade, and the main staircase survived. The auditorium is plain when compared to the red-and-gold eruptions of London's Covent Garden or some of the Italian opera houses, but it has an elegant individuality that it shows off beautifully when the stage and auditorium are turned into a ballroom for the great Opera Ball.
The construction of the opera house is the stuff of legend. When the foundation was laid, the plans for the Opernring were not yet complete, and in the
end the avenue turned out to be several feet higher than originally planned. As a result, the opera house lacked the commanding prospect that its architects, Eduard van der Nüll and August Sicard von Sicardsburg, had intended. Even Emperor Franz Josef pronounced the building a bit low to the ground. For the sensitive van der Nüll (and here the story becomes a bit suspect), failing his beloved emperor was the last straw. In disgrace and despair, he committed suicide. Sicardsburg died of grief shortly thereafter. And the emperor, horrified at the deaths his innocuous remark had caused, limited all his future artistic pronouncements to a single immutable formula: "Es war sehr schön, es hat mich sehr gefreut" ("It was very nice, it pleased me very much").
Renovation could not avoid a postwar look, for the cost of fully restoring the 19th-century interior was prohibitive. The original design was followed in the 1945–55 reconstruction, meaning that sight lines from some of the front boxes are poor at best. These disappointments hardly detract from the fact that this is one of the world's half-dozen greatest opera houses, and experiencing a performance here can be the highlight of a trip to Vienna. If tickets are sold out, some performances are shown live on a huge screen outside on Karajanplatz. Tours of the opera house are given regularly, but starting times vary according to rehearsals; the current schedule is posted under the arcades on both sides of the building. Under the arcade on the Kärntnerstrasse side is an information office that also sells tickets to the main opera and the Volksoper.