Ieyasu Tokugawa's Shrine in Nikko
In 1600, Ieyasu Tokugawa (1543–1616) won a battle at a place in the mountains of south-central Japan called Seki-ga-hara that left him the undisputed ruler of the archipelago. He died 16 years later, but the Tokugawa Shogunate would last another 252 years.
The founder of such a dynasty required a fitting resting place. Ieyasu (ee-eh-ya-su) had provided for one in his will: a mausoleum at Nikko, in a forest of tall cedars, where a religious center had been founded more than eight centuries earlier. The year after his death, in accordance with Buddhist custom, he was given a kaimyo—an honorific name to bear in the afterlife. Thenceforth, he was Tosho-Daigongen: the Great Incarnation Who Illuminates the East. The Imperial Court at Kyoto declared him a god, and his remains were taken in a procession of great pomp and ceremony to be enshrined at Nikko.
The dynasty he left behind was enormously rich. Ieyasu's personal fief, on the Kanto Plain, was worth 2.5 million koku of rice. One koku, in monetary terms, was equivalent to the cost of keeping one retainer in the necessities of life for a year. The shogunate itself, however, was still an uncertainty. It had only recently taken control after more than a century of civil war. The founder's tomb had a political purpose: to inspire awe and to make manifest the power of the Tokugawas. It was Ieyasu's legacy, a statement of his family's right to rule.
Tosho-gu was built by his grandson, the third shogun, Iemitsu (it was Iemitsu who established the policy of national isolation, which closed the doors of Japan to the outside world for more than 200 years). The mausoleum and shrine required the labor of 15,000 people for two years (1634–36). Craftsmen and artists of the first rank were assembled from all over the country. Every surface was carved and painted and lacquered in the most intricate detail imaginable. Tosho-gu shimmers with the reflections of 2,489,000 sheets of gold leaf. Roof beams and rafter ends with dragon heads, lions, and elephants in bas-relief; friezes of phoenixes, wild ducks, and monkeys; inlaid pillars and red-lacquer corridors: Tosho-gu is everything a 17th-century warlord would consider gorgeous, and the inspiration is very Chinese.
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