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Trip Report Friends and the City: Nikki's New York weekend

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I lived with a group of people in college in Chicago forty years ago and we used to stay up until three in the morning talking and laughing. We went to plays, concerts, dance performances, lectures, parties, poetry readings, movies, something almost every night. (Some of us were more easily distracted than others.) Somehow we all graduated anyway. Once every winter we gather again for a weekend in New York when it is so cold it reminds me of those long, gray Chicago winters. And we stay up talking and laughing and go to plays and concerts and restaurants and don’t even have to worry about that paper we’re putting off writing. Well, some of us don’t (because some of us are still more easily distracted than others).

This year there were five of us. Three arrived from various points in New England and one from the Washington, DC area. We converged on New York on Friday, January 29. We stayed at the Belvedere Hotel, on 48th Street between Eighth and Ninth Avenues. This turned out to be an excellent choice. We got a terrific rate of $130 per room. This hotel has both renovated and unrenovated rooms. We made our initial reservations a few weeks before our stay. Then two weeks later the rates dropped so that the renovated rooms were less expensive than the rate we had reserved earlier for the unrenovated rooms. We canceled the old reservations and made new ones in the renovated rooms at the lower rate and everybody was very happy. Among the advantages of visiting New York in January are the lowest hotel rates of the year.

This location was perfect for our planned agenda, which was Broadway-intensive, with a show Friday night and another Saturday afternoon. Four of us had arrived by dinner time, and we all went out to Vice Versa, an Italian restaurant on 51st Street. I really enjoyed this place. I started with a half order of strozzapreti (strangled priest pasta) with duck ragout and black gaeta olives. Then I had a grilled rack of lamb with eggplant and olives. I thought everything was excellent. There was a fixed price menu for $35, but we all chose off the a la carte menu instead.

It was a short (but cold and windy) walk to the theater where we were to see the show Fela. The band was on stage playing lively afrobeat music when we arrived. The setting of the show is a night club in Lagos, Nigeria in the 1970s, so the atmosphere was more relaxed than a typical play. There was a bar set up and people were encouraged to bring drinks to their seats. There is nonstop singing and dancing throughout the show, which is based on the life of the man who originated afrobeat music and who was an activist figure with a very colorful personal and political life. The dancers in this show get an amazing workout. It is exercise just watching their hips gyrate. But the title role is so demanding that it is played by two actors who alternate between performances. It is hard to imagine casting this role, which requires an actor who can sing, dance, play the tenor sax really well and who has sixpack abs.

After the show, Barbara and Carol walked back to the hotel. But Ellen and I went to the West Bank Café’s after party, where we were meeting the fifth member of the group, who had arrived in New York too late for dinner and the play. The after party is held in the basement of the West Bank Café, which is located on 42nd Street at Ninth Avenue. As we make our way through the restaurant, Ellen grabs my arm. “We just passed Chris Noth!” Who, where? Did she see someone we know? “Chris Noth, back there, at the first table!” Oh, not someone we know then. Well, I can’t very well walk back to stare at him, so I get to see the back of his head.

At the back of the restaurant, stairs lead down to the theater where the after party is held every Friday night around 11:00. Denise is sitting at a table and we go join her. There is no cover and no minimum, and there is a menu if, like Denise, you are having a late dinner.

Before the show begins, I notice Patrick (one of my imaginary friends from the internet) at a table in the back. It is Patrick who told me about this show, and I knew he might be here. I make my way to his table and we talk briefly. A less celebrated sighting than Chris Noth, but hey, Chris Noth didn’t give me a hug.

The show is an absolute hoot. There is a young, gay guy hosting the evening, and his humor is a bit edgy (that which we understand, anyway; a lot of it goes over the heads of us three straight ladies). We are needing an interpreter. There is a piano on the stage, covered with songbooks- hundreds of them. The pianist will accompany anyone, whether or not he has music. When he doesn’t, he seems to do fine just making it up. Someone sings “Cry Me a River”, and the pianist plays a break during which he slips in a bit of “Stars and Stripes”. If I only had my piccolo.

A couple of times during the evening they pass a hat for the piano player. The guy who passes the hat apparently does a female impersonator act, but not tonight. He is sitting at the table next to ours, and I see him studying a Tom Lehrer song book.

A lineup of singers takes to the stage. Some have appeared on Broadway, some are hopefuls, some are the waitresses. At one point a guy gets up to sing “Nessun Dorma” and cuts out during one line for the audience to sing. And we hear lots of people joining in. It is a room full of singers. A woman who appeared in Hair gets up and does a routine about a cruise ship she was working on in Haiti during the earthquake. A female impersonator lip syncs Lucille Ball’s “Vitameatavegamin” routine.

The entertainment goes on nonstop. We finally leave some time after 1:30. I had hoped to get back to talk to Patrick a bit during a break, but there are no breaks, and by the time we leave, he is gone. Denise and I sit up talking in the hotel until three in the morning. Just like the old days.

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